Rolls of blue
paper ribbons sit in my studio. Last year they functioned as the binary code
for locating a specific letter on a mat for casting monotype.
A
short clip while I was casting type—you can see the roll of blue paper on the
monotype caster.
While it is
possible for these rolls of blue paper ribbons to be used to recast the
monotype from last year, today I see them as beautiful things
in-and-of-themselves.
 |
| Beautiful things. |
I see them as
objects with physical and mechanical limitations. And within limitations, there
are endless possibilities.
There are
limitations within: his luggage, her house, my day…In the same
way that there are limitations within a job case.
 |
| Graphite rubbing of job case. |
Even in the
endless digital world there are limitations within a tweet.
 |
| 140 characters. |
From these
paper ribbons, I burned a series of screens that I have shipped to Utah for [in
code] at the College Book Arts Association Conference will be held in Salt Lake
City January 2 – 4.
Using
information from hashtags on twitter by conference attendees, Denise
Bookwalter, Sarah Bryant, Tricia Treacy and I will print a series of
collaborative posters. Using this text-based content we will “retweet” a
narrative back through social media. This on-site project will be an
installation and a collaborative printing experience that extends the dialogue
of the College Book Arts Association Conference to a broader audience.
This idea is
inspired by our dual interests in limitations of communication in a physical
sense in both the digital and the analog worlds. We will spend one day in the
printshop at the University of Utah in Salt Lake City (on-site during the
conference) working with the text-based content to produce a series of posters.
However anyone in the world can use [#printedword #woodtpye #letterpress
#shiftlab #cbaa] hash tags to participate in [in code].
[This project has been made possible by a generous donation from Legion Paper, NY and a 2013 Microgrant from Printeresting.org]
